The album "The White Crow" features the film's original score composed by Ilan Eshkeri (Stardust, Layer Cake, Still Alice, Kick-Ass, Johnny English Reborn) and featuring violin solos by Lisa Batiashvili. Also included are ballet compositions by Pyotr Ilyich Tchaikovsky, Alexander Krein and Ludwig Minkus, most of which have been newly arranged for the project by Eshkeri.
The White Crow is directed by Ralph Fiennes who also stars in the movie alongside Oleg Ivenko, Adèle Exarchopoulos, as well as ballet-world enfant terrible Sergei Polunin, Chulpan Khamatova, Olivier Rabourdin, Raphaël Personnaz and Louis Hofmann. The movie is inspired by the book "Rudolf Nureyev: The Life" by Julie Kavanaugh and charts the iconic dancer's famed defection from the Soviet Union to the West in 1961, despite KGB efforts to stop him.
The White Crow (Original Motion Picture Soundtrack, 2019)
Score by Ilan Eshkeri
Lisa Batiashvili, violin
Dudana Mazmanishvili, piano (track 9)
London Metropolitan Orchestra
Belgrade Philharmonic Orchestra
Conductor: Andy Brown
Deutsche Grammophon 2019
Tracks:
1. Ilan Eshkeri: Trans-Siberian Express (Orch. Jessica Dannheisser)
2. Ilan Eshkeri: Paris (Orch. Jessica Dannheisser)
3. Alexander Krein: Laurencia – Pas de six: 10. Wedding Dance (Arr. Ilan Eshkeri and Orch. Jessica Dannheisser)
4. Ilan Eshkeri: La Sainte-Chapelle (Orch. Jessica Dannheisser)
5. Pyotr Ilyich Tchaikovsky: Swan Lake, Op.20, TH.12 – Pas de trois: 2. Andante sostenuto (Arr. Ilan Eshkeri and Orch. Jessica Dannheisser)
6. Ilan Eshkeri: Ufa (Orch. Jessica Dannheisser)
7. Ludwig Minkus: La Bayadère – 46. Third Shade Variation (Arr. Matthias Gohl)
8. Ilan Eshkeri: Leningrad (Orch. Jessica Dannheisser)
9. Ilan Eshkeri: Nureyev
10. Ludwig Minkus: La Bayadère – 32. Solor Variation (Arr. Vladimir Podgoretsky)
11. Ilan Eshkeri: The Prodigal Son (Orch. Jessica Dannheisser)
12. Pyotr Ilyich Tchaikovsky: Swan Lake, Op.20, TH.12 – Pas de deux: 4. Coda (Arr. Ilan Eshkeri and Jessica Dannheisser)
13. Ilan Eshkeri: Le Bourget (Orch. Jessica Dannheisser)
14. Traditional: Bashkirian Folk Dance (Arr. Ilan Eshkeri) – Danny Driver
15. Pyotr Ilyich Tchaikovsky: The White Crow (Arr. Ilan Eshkeri and Orch. Jessica Dannheisser)
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New biopic from Oscar nominees Ralph Fiennes and David Hare probes intense drama of ballet superstar Rudolf Nureyev's defection from the Soviet Union. The White Crow features captivating score by British composer Ilan Eshkeri and places solo spotlight on acclaimed violinist Lisa Batiashvili. Both the Score and the Film were released on March 22, 2019.
Half-hearted concessions to freedom of expression were not enough to hold Rudolf Nureyev in the Soviet Union. The young dancer, a superstar soloist of the Kirov Ballet, caused an international sensation when he became the first Soviet artist to defect to the West during the Cold War. The White Crow, a new film directed by Ralph Fiennes, charts Nureyev's journey from childhood poverty in Siberia and meteoric rise as a principal dancer to the decisive moment of his defection in June 1961 at Le Bourget airport in Paris.
The story's personal and political drama surges through Sir David Hare's screenplay and is intensified by the austere beauty of Ilan Eshkeri's original score. Deutsche Grammophon is set to release the soundtrack album on 22 March 2019 to coincide with the movie's international release.
Russophile Fiennes, who also plays Nureyev's mentor Alexander Pushkin (in Russian) in The White Crow, became fascinated by the dancer's drive and dynamism almost twenty years ago when he first read Julie Kavanagh's "Rudolf Nureyev: The Life", a book whose cinematic potential immediately captured his imagination. When he finally came to direct the film, his renowned attention to detail was valued by all his collaborators, including contemporary British composer Eshkeri, who is best known for his soundtracks to The Young Victoria and Still Alice. He created the music for Coriolanus, Ralph Fiennes's directorial debut as film-maker, and for the actor-director's critically acclaimed second film, The Invisible Woman, and here too worked closely with Fiennes in writing a score that expresses the complex and conflicting emotions involved in Nureyev's story.
Deutsche Grammophon artist Lisa Batiashvili plays a prominent off-screen role as soloist in the score to The White Crow. The Georgian-born German violinist, raised under the Soviet system during its final years before moving with her family in 1991 from war-torn Tbilisi to Munich, plays the beautiful melody of the "White Crow", which begins as the Entr'acte from Tchaikovsky's Sleeping Beauty, an intimate solo for the Prince brought back into fashion by Nureyev, and is then transformed into a full-scale piece by Eshkeri that conveys the catharsis and freedom of the dancer's defection. Batiashvili also performs all the other key melodies in Eshkeri's score.
Her discography for the Yellow Label already includes majestic readings of the Brahms Violin Concerto with the Staatskapelle Dresden and Christian Thielemann, and of Prokofiev's Violin Concertos Nos. 1 & 2 with the Chamber Orchestra of Europe and Yannick Nézet-Séguin. Her recording of the violin concertos of Tchaikovsky and Sibelius, made in partnership with Daniel Barenboim, was described by BBC Music Magazine simply as "Two greats, performed by two greats". She was named Instrumentalist of the Year in 2015 by Musical America. After an acclaimed 2017-2018 residency with the Accademia Nazionale di Santa Cecilia and having previously been Artist in Residence with the New York Philharmonic Orchestra and the Royal Concertgebouw Orchestra, Batiashvili is currently enjoying a varied year as Artist in Residence with the Münchner Konzertdirektion Hörtnagel. This summer is her first as Artistic Director of Audi Sommerkonzerte, Ingolstadt.
"I think [Nureyev] was highly individual",” said Ralph Fiennes before a screening of The White Crow at last October's London Film Festival. "He had a real sense of how things can be pushed further, a true artistic spirit, which is to break down or question the received wisdom or the received opinion, to challenge. But also he was trained in a very precise ballet tradition, the [Russian] imperial ballet tradition that the Soviet regime had co-opted for itself. He was a ferocious and difficult, contradictory man, who provokes different responses in people, but I love that. For me, he's a character rich in his fire to realise himself".
Source: screamsmedia.com
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